Plain Talk
TOKYO NOTICE BOARD APRIL 24. 2026Dreaming about Games by Mardo
I have always been a gamer. It started with my cousins, one had Pong, cutting edge at the time. Another then got the Atari 2600, Moon Patrol was my favourite game. Then my Local Pizza place got Moon patrol in Arcade table top. This was the early 80s. I have been hooked ever since, eventually getting my own Commodore 64, playing Le Mans or, Sea wolf for hours!
This love, ( I won’t say addiction) has continued all my life, Going to the local corner store and playing the pinball machines, or in college, staying up 24 hours straight to play Sid Meier’s Civilisation… ( Ok, Maybe addiction at times).
I will say though, I have learned a lot from games, especially Civ 2, great for teaching the history of how empires expand. I have made a lot of friends through games… especially when they move to the Role playing D&D phase.
But there is one thing that has always told me when I am playing games too much. I dream about them. I mean, not just think about how to beat a boss as I am laying in bed, I mean, I dream about them. Dune 2000 or Civilisation was the first game for this when I was in College. I woke up one morning after going out rock climbing, and all I could remember of the night before were little tokens representing settler or military units moving 1 square at a time across my vision.
That I could spend so much time on a game that it got into my dreams was a bit of a sign. Last night it happened again. I have been playing a game on my Android Tablet so much that I dreamt about it. It is just a simple ball/brick breaking game, like the 80s classic Break out, but still a good distraction… until I start dreaming about it.
So I think I will take a break, until I get bored and find a new game, and I dream about that. It is a vicious cycle, but computer games are just too much fun, and if you have to be addicted to something, better make it something legal!
僕はずっとゲーマーだった。きかけは従兄弟達で、一人が当時最先端だった「Pong」を持っていた。その後、別の従兄弟がアタリ2600を手に入れ、ムーンパトロールが僕のお気に入りのゲームになった。それから近所のピザ屋にムーンパトロールのテーブルトップが置かれるようになった。80年代初頭のことだ。それ以来、僕はゲームに夢中になり、コモドール64を手に入れ、「ル・マン」や「シーウルフ」を何時間もプレイした。
この愛（中毒とは言わない）は僕の人生においてずっと続いている。近所の店でピンボールマシンで遊んだり、大学では24時間 Sid Meier's Civilisation をプレイした...（まあ、時々中毒症だっただろう）。
ゲームから多くのことを学んだ。特にCiv 2は、帝国がどのように拡大していくのか、その歴史を学ぶのに最適なゲームだった。ゲームを通じてたくさんの友達を作った。特に、ロールプレイングゲームであるD&Dの段階になると、なおさらだ。
でも自分がゲームをやりすぎると、わかることがある。ゲームの夢を見ることだ。つまりベッドで寝ながらボスの倒し方を考えるのだけでなく、本当にゲームの夢を見るんだ。大学時代、『デューン2000』や『シヴィライゼーション』がその最初のゲームだった。ロッククライミングに出かけて朝起きると、前夜の記憶は、入植者や軍隊を表す小さなトークンが視界を1マスずつ移動していく様子だった。
夢にゲームが出るというのは、それほどゲームに没頭していたというサインだ。昨夜もまた同じことが起きた。アンドロイド・タブレットでゲームをやりすぎて、夢にまで見てしまった。80年代の名作「ブレイクアウト」のような、ボールやレンガを壊すだけの簡単なゲームでいい気晴らしになるのだが...夢に出てくるまでは。
だから、ゲームに飽きて新しいゲームを見つけてそのゲームの夢を見るまで休憩しようと思う。悪循環だが、コンピューターゲームはあまりにも楽しいので、何かにハマるのであれば、合法的なものにしたほうがいいよね。
Plain Talk
TOKYO NOTICE BOARD TNB Throwback APRIL 28. 2017My Favorite and Most Entertaining Sport by Dean Mejia
Move over Football, Basketball, and Baseball! I am a huge otaku for Japanese pro wrestling. Japanese professional wrestling, or “puroresu” started becoming a big deal in the 1950s. Sure Japan already had sumo wrestling and other mixed martial arts fighting competitions, but it wasn’t until Western influence that this new form of entertainment/competition/carnival-like performance made its way into the hearts and minds of the Japanese public. Local pioneers like Rikidozan, Antonio Inoki and the Giant Baba helped to pave the way for current stars like Shinsuke Nakamura and Hiroshi Tanahashi.
The goal has always been the same. The performers need to tell compelling stories that will keep the audience coming back for more. This is done moreso with their actions than their words. This is why I don’t have any issues while watching hours of Japanese wrestling on TV or in-person (even though my Nihongo language skills are sub-par). It is mostly all non-verbal communication and actions. I don’t need to be proficient in kanji or know all of my ru-form conjugations to understand when a good guy is being pummeled by a much larger and meaner-looking bad guy. I also feel naturally inclined to root for the guy that is being beaten to make a comeback.
In Japanese wrestling, the wrestler’s “fighting spirit” is what an audience member appreciates the most. In the West (within companies like WWE) wins and losses are more important. In Japan however, if you show the people that you put your full effort into a match/performance, then you have earned their respect and admiration. The Japanese take their wrestling more serious than the audiences in the West, and it is normal to have minimal crowd cheering or booing during a performance. It is looked at as more of an art (by the true fans at least). Many foreign wrestlers don’t like competing in Japan, because the local performers are known for “strong style” fighting. This basically means that they hit really hard. Pro wrestling all over the world is staged/planned/pre-determined, and it is not meant to hurt the athletes, but in order to make things look as real as possible, sometimes these guys (and ladies if you are watching joshi puroresu) really beat each other up.
Currently New Japan Pro Wrestling is the most popular company. They put on shows in the Tokyo Dome (where I was lucky enough to go see them), and at other venues all throughout Japan. If you have never gone to see a match before, I urge you to do so. Even if you are only one of a handful of foreigners surrounded by thousands of locals, you shouldn’t be intimidated. Everyone is there for the same reason. They want to see the best form of entertainment that money can buy. Let yourself get lost in the story that the wrestlers are telling, and I guarantee that you will be back in that arena seat every time that the performers come back to town.
Unfinished business
TOKYO NOTICE BOARD MAY 17. 2019Farewell to a Japan Jazz Icon by David Gregory
The messages from all over Japan read aloud during the service helped us realize how widely Koyama-san touched lives and how many like us were feeling something newly missing from our worlds. But, although wonderful and sometimes saddening us, they did not trigger crying. That happened next.
Those first few notes of the "'Round About Midnight" Miles Davis version, the cut Koyama-san always used to open Jazz Tonight, performed by a live piano and trumpet duo up front near the coffin, did it: Instant recognition, recollections, sighs around the room, eyes closed, arms crossed, heads dropped back or down, and tears, at least for me. How many times had we heard, after Miles breathed his somber opening, Koyama-san's low, raspy voice welcoming us into the studio with, "Minna-san, gokigen ikaga desho-ka everybody, how are you feeling?"?and never thought that someday we would hear him ask about us no more?
Koyama-san's widow, whom, like him, had never known me, stood alone at the coffin head and bowed in silence to everyone in turn after they placed flowers around his body as the duo continued with another slow number, the trumpet sounding so strong and crisp and unusual in a memorial service hall. After we placed our flowers, she responded to my hand on her shoulder, a touch just meant to console her, by immediately turning and reaching for me?a total stranger?burying her head in my chest, and breaking down. She needed that hug that everybody sometimes needs. She let go after her respite when she was ready to face the coffin and everyone else again, and returned to her position. Going to Kashiwa in a snowstorm was worth it just for those few moments when I could do something for her.
So our Kashiwa day was both sad and good. But, why did I even want to go a funeral for a man whom I only knew by voice, and who, although linked to jazz, was not even a musician?
Koyama-san and his Jazz Tonight program I listened to since at least the early 2000s. For more than sixteen years, while my life in Japan has been filled with huge uncertainties, he has been here Saturday nights on the radio, reliable, keeping me connected to the world's music and opening my ears to music from Japan I would not know without him. Listening to him always made me feel good, no matter what had happened in my life during the week or what was coming up in the weeks ahead. Koyama-san and Jazz Tonight were my respite. How well can I replace that comfort?
Koyama-san, thank you for helping this foreigner feel good in Japan. Please rest well in jazz heaven.
NHK Radio, thank you for giving Koyama-san a way to connect with us. Please encourage other DJs to continue doing what he did so well.
To Koyama-san's surviving family members: Please care well for yourselves now, and thank you for supporting and sharing Kiyoshi with us.
The Smallest Box by David Gregory
She came over to my table and asked if I remembered her.
“That’s my boyfriend over there.”
Their table hugged a pillar blocking the sunny Tokyo Bay view enjoyed by the other customers that afternoon in Chiba’s AquaRink ice skating facility café.
“Maybe we will marry next year.”
On my way out, I stopped to congratulate the potential groom to be. What I later heard happened with Hiromi and Hiroshi that night at another place also close to the bay sounded so too good to be true that I visited that place to confirm it really happened. It did.
Hiroshi had reserved for the course menu that night at OCEAN TABLE, next to Chiba Port, on the second floor, where tables sat by the huge windows facing Chiba Port Tower and Tokyo Bay. No view-blocking pillars there. And they had a wait, even with their reservation, because it was Christmas Eve, which in Japan matters much more than the following day; the Eve is the year’s couples’ night out, and single women without dates that night can feel their whole year was wasted.
Hiroshi had changed into a suit after skating, and had urged Hiromi, against her protests about overdressing, into a plaid one-piece, raising expectations. They had never come to a place this nice, one requiring reservations. Saizeriya was more their speed: fast faux-Italian, cheap, and everywhere.
The unexpected wait made Hiroshi antsy. He relaxed and all was perfect after they were seated.
They talked. They ate the Christmas Dinner courses. They ignored the soft Christmas background music. They admired the gleaming, golden Christmas Tree rising from the first-floor buffet area through the open center space across from their table. They could see outside the sparkling flashes and half the tree in Port Tower’s Christmas Illumination, and beyond, the lights from the ships on and facilities around Tokyo Bay, appearing almost twinkling. Perfect—but not for Hiromi.
She went to the toilet. Still he had not asked. The day was done. The reservation system only allowed them two hours there. They had been together all day. He had remembered her birthday-just by coincidence, also that day-with a necklace at AquaRink. Nice, but was that all? He had pestered her since early December about what Christmas present she wanted until she had finally exploded with, “Nothing! Don’t you know I just want a proposal?!” And had added she wanted it to be a surprise. Here he had the perfect chance, and he was wasting it.
She could try enjoying what was left of the evening. Dessert was next. At least here was better than Saizeriya….She was still stuck when she returned to the table, and had no chance to do or say anything, anyway. It was his toilet turn.
Their desserts came. Hiromi sat and waited and pondered the future. Outside, the tower stood alone against the dark sky and Tokyo Bay’s inky darkness.
Their desserts waited. Maybe his tooth was bothering him again. Maybe he was just tolerating it to make the night go well. Maybe for her. Maybe she should go to check on him. Wait-maybe she just heard his voice across the room.
No, only Santa Claus, posing for photographs with diners at the far table. He then started circling the room, giving a small present from his big sack at each table. She could check after he was done.
Hiroshi still had not returned to his seat when Santa reached their table. He handed Hiromi a big, red stocking, by far the room’s largest gift, accompanied by a squeaky, “Atari! You’re a lucky one!” Yeah. She set it aside and Santa moved on. What was he still doing in the toilet?
Santa finished his round, returned to Hiromi, and pointed at her unopened stocking with squeaky, “Un! Un!” grunts. The other diners had opened their presents. She forced a smile and said she was waiting for her boyfriend to return. “Un! Un!”
When Hiromi still resisted, Santa took the stocking in his white-gloved hands and opened it himself. Out first came a big, pink box, heart shaped. He opened that and pulled out another heart-shaped box, and then, from inside that, another heart-shaped box. Another smaller, heart-shaped box followed. He removed from that an even smaller heart-shaped box, and thrust it to Hiromi with one more squeaky, “Un!”
Still gone. Well, he’d miss it. Hiromi obeyed Santa this time and opened it, the smallest box in the room …and her mind and face went blank.
After that frozen moment passed, Hiromi looked at Santa. The second shock hit, and more followed. Santa Claus had ripped off his gloves, furry hat, sunglasses, and huge, flowing beard. He took the box from her?she was still speechless?dropped onto one knee, held the open box out and up to her in both stretching hands, and said in a voice loud enough for everyone in the room to hear, “Hiromi-san, boku-to kekkon shite kudasai! Hiromi, please marry me!”
Outside, to anybody looking, Port Tower’s Christmas Illumination still flashed, and the lights on and around Tokyo Bay still appeared almost twinkling. Inside OCEAN TABLE, on the second floor, everything was happening so fast that Hiromi just did not know which was more difficult to believe: Hiroshi and the ring he first tried slipping onto the finger on her right hand, the one he had taken in his before she held out her left hand, or the following PAN! and PAN! PAN! PAN! PAN! PAN! and PAN! PAN! and PAN! explosions ripping and ribbons shooting around the room as diners at the floor’s other tables popped the party crackers they had found with the notes in their presents from Santa Claus.
Copyright © 2018 David L. Gregory All rights reserved.
I Did It! by David Gregory
She had been here before. But, those were tour-guided or hand-held visits. After living most of her life in white-bread suburban USA, driving everywhere, shopping in giant malls and supermarkets, and needing only one currency and one language, my mother ventured out on her own, within and beyond Chiba, during one trip to Japan. From her notes, here are Dorothy's...
ADVENTURES IN JAPAN
Grocery Shopping in Neighborhood―Walk five blocks...buy only one bag...walk five blocks back. Survived it!
Shopping in City Center―Walk six blocks to bus stop. Ride bus fifteen minutes. Arrive at stores. Walk around. Look. Decide: cookies.
Buying: “Ikura desu-ka how much?” Hmm. “Kakimasu kudasai write please.”
Paying options: give large bill, let clerk figure change, or open change purse, let clerk take out correct amount. Decide to just give some cash.
Clerk shakes her head (“NO! MORE!”), then counts out correct amount needed from register and shows me. I mimic her action from my change purse. Smiles! Deep bows with many, “Arigato gozaimasu thank you very much!”-es.
(My error: thought there was decimal point in Yen price....)
Open cookies, expecting pirouettes with chocolate centers. Instead, peanut butter waffle rolls, no chocolate. No wonder, now I see peanut sketch on package. “Shoganai can’t be changed,” I did it to myself. It could have been worse!
~~~
Travelling to Visit Friend’s Family on Other Side of Chiba―Walk ten blocks to train. Purchase ticket. Electronic lady on ticket machine screen says, “Arigato gozaimasu” and bows. Ride train twenty minutes, watching for correct stop, get off, walk seven blocks to house. I did it myself!
Visiting Hisae Overnight―My Japanese study partner in USA returned to Japan, now lives on other side of Tokyo Bay.
Take large purse and large tote bag with jacket, nightie, toothbrush, cosmetics. Walk six blocks to bus stop. Ride bus to train station. Ride train eighty minutes to Yokohama. Find correct exit from station. EASY. Did not even look at note in pocket explaining route and Japanese signs. And, look! Hisae and three-year old Kei are waiting! “Hello!” they say! Many hugs!
I did it!
Then, still more travel: train together fifteen minutes, short taxi uphill to lovely apartment, sunny and bright.
Returning to Chiba, just reverse process. Next time, we can meet at a station halfway in between. I can do it.
I can do it!
Copyright (C) 2015 David Gregory. All rights reserved. Chiba, Japan
Book Review
TOKYO NOTICE BOARD MAY 11 2018Cherry Blossoms in the Time of Earthquakes and Tsunami
by Rey Ventura Reviewed by Randy Swank video maker and scriptwriter Rey Ventura won the 2015 National Book Award for his third collection of essays, Cherry Blossoms in the Time of Earthquakes and Tsunami, but for some strange twist of fate you will find very little information on this book. You can’t even buy it on Amazon. This is a shame because Cherry Blossoms... is a beautiful, insightful and thought-provoking book. |
Cherry Blossoms in the Time of Earthquakes and Tsunami |
In "Miniskirts and Stilettos" we meet Ginto, a young lady who comes to Japan dreaming of making it big as a singer and entertainer but has to deal instead with a much darker reality; while "Mr. Suzuki Tries Again" and "Into the Snow Country" are tragicomic tales of arranged marriages where the dreams and expectations of bride-starved farmers from Japan's Deep North clash with those of young Filipino women who want to escape their poverty and go into marriage "as a girl goes into a convent." Ventura tells these stories with a great eye for detail and manages to find a ray of light even in the darkest corners, or poetry in the midst of a nuclear disaster. The book's first essay is called "The Slow Boat to Manila" and indeed, slowness is the first word that comes to mind when considering Ventura's approach to writing. Everything Ventura does is slow. He is no magazine reporter after all, and will spend days or even months getting to know a person he wants to write about. That's the kind of personal commitment and deep connection with his subject that one feels when reading his essays. |
Tokyo Fab
TOKYO NOTICE BOARD APRIL 24, 2026
Tahiti Festa
Tahiti Festa is one of Japan’s largest celebrations of Polynesian culture, bringing the vibrant spirit of Tahiti into an energetic urban festival setting. Since its launch in 2008, it has introduced audiences to the music, dance, crafts, and lifestyle of French Polynesia, becoming a colourful annual highlight for anyone interested in Pacific island culture.
At the centre of the festival is Ori Tahiti, the traditional dance of Tahiti. Performances feature both professional groups from French Polynesia and dance teams based in Japan, creating a dynamic exchange of authenticity and local passion. Accompanied by rhythmic drumming and expressive movement, the stage performances showcase storytelling through dance, full of energy, precision, and cultural pride.
Beyond the stage, the festival transforms into a lively marketplace inspired by island life. Stalls offer handmade crafts such as woven bags, wood carvings, and black pearl jewellery, alongside natural beauty products like monoi oil. These items reflect the craftsmanship and traditions of Polynesian culture.
Food and drink add to the atmosphere, with tropical flavours, refreshing beverages, and Pacific-inspired dishes creating a relaxed, holiday-like mood. Live music and casual performances often fill the space, encouraging visitors to linger and enjoy the experience at their own pace.
May 4th -6th @ Yokohama Intl Passenger Terminal
https://tahiti.co.jp/event/tahiti-festa/
WINGS FOR LIFE WORLD RUN
The Wings for Life World Run − Tokyo (Shinjuku-ku) is a global charity running event with a unique format that sets it apart from traditional races. Instead of running toward a fixed finish line, participants run to stay ahead of a moving “finish” called the Catcher Car, which gradually increases speed until it passes each runner, marking the end of their race.
Held in Tokyo’s Shinjuku area, the event welcomes runners of all levels, including beginners, experienced athletes, and wheelchair participants. Everyone starts at the same moment, joining thousands of people across the world in a shared global start, making it a truly connected international experience.
The Tokyo route typically features urban scenery and green surroundings around Shinjuku, offering a mix of city energy and open running spaces. The focus is not on competition alone, but on endurance, participation, and personal challenge―how far each person can go before being caught.
What makes the event especially meaningful is its purpose. 100% of entry fees and donations go to spinal cord research, funding projects aimed at finding a cure for spinal cord injury. This gives every step a direct connection to real-world impact.
Inclusive and accessible, the Wings for Life World Run encourages people to participate in their own way―running, jogging, or walking―turning the experience into a collective act of support, movement, and global solidarity.
May 10th (Sun) @ Meiji Memorial Picture Gallery
https://www.wingsforlifeworldrun.com/en/locations/tokyo-shinjuku-ku
Have You Been To...
TOKYO NOTICE BOARD APRIL 24, 2026
Hitachi Seaside Park [Hitachinaka, Ibaraki]
It is a vast coastal flower park in Ibaraki Prefecture, famous for its seasonal landscapes that transform dramatically throughout the year. In spring, rolling hills are covered in bright blue nemophila flowers, creating a surreal sky-like field. The park also features tulips, kochia, and seasonal blooms, along with cycling paths, walking trails, and seaside views, making it a popular destination for nature lovers and photographers.
Ashikaga Flower Park [Ashikaga, Tochigi]
Ashikaga Flower Park in Tochigi Prefecture is best known for its breathtaking wisteria gardens, especially the ancient “Great Miracle Wisteria” that forms a glowing purple canopy in spring. Seasonal displays also include roses, hydrangeas, and winter illuminations. The park offers immersive floral landscapes, walkways, and tunnels of cascading blossoms, making it one of Japan’s most photogenic and romantic garden destinations year-round.
Tsutsujigaoka Park [Sendai, Miyagi]
Tsutsujigaoka Park in Sendai is a scenic urban park best known for its vibrant azalea displays in spring, when thousands of flowers bloom in vivid pinks, reds, and whites. Set around tranquil ponds and walking paths, it offers a peaceful retreat within the city. The park also hosts seasonal festivals and provides a relaxing space for strolling, picnicking, and enjoying nature year-round.
Awaji Hanasajiki [Awaji, Hyogo]
Awaji Hanasajiki in Hyogo Prefecture is a scenic flower park perched on a hill overlooking Osaka Bay. Its name means “flower staging area,” and it lives up to it with vast seasonal blooms of cosmos, rape blossoms, and salvia spreading across rolling fields. The panoramic views combine sea, sky, and flowers, making it a popular spot for photography and peaceful countryside walks year-round.
Tokyo Voice Column
TOKYO NOTICE BOARD TNB Throwback: APRIL 14. 2017
Step Into Spring At Planetaria Tokyo by Lorne Fetzek
As winter gives way to spring, most residents of Japan start thinking about warm days ahead, and especially in light of recent world events, we’re all looking for activities that lighten our spirts. Mixing unique experiences into our calendars can help quell the restlessness that we often feel this time of year.
Have you considered visiting a planetarium? Greater Tokyo boasts at least 20 locations where you can stargaze while indoors, but none is more centrally located than the Konica Minolta Planetaria Tokyo https://planetarium.konicaminolta.jp/planetariatokyo/ which is located on the 9th floor of the Yurakucho Mullion Building. Despite its convenient location directly above Hibiya Station and only a few steps away from Ginza, upon arrival there is an unmistakable feeling of calm and relaxation that one feels upon entering the lobby.
The planetarium is divided into 3 areas, 2 “domes” and one virtual reality planetarium. Shows run in all three areas from 10:30 through 22:00 daily (hours on holidays may differ so be sure to check the planetarium website for details). Ticket prices begin at ￥1,600 for a single seat adult ticket (about the same as a regular movie ticket). There are packages on offer as well to suit various tastes (and budgets). Dome 2 in particular has oversized, plush “Galaxy” seats (both single and pair seats). Each show is typically 1 hour and there are a wide variety of shows including live music and narrated events. Outside of the theaters, there’s a cafe´ selling quirky food items such as “Milky Way Cotton Candy” and cocktails named for planets and a gift shop with an intriguing selection of space themed items.
So why not treat yourself to some stargazing in the heart of central Tokyo? Keep looking up!!
冬から春へと季節が変わる時期、人は、暖かい日々を待ちわびるようになる。最近の世界を騒がす事情のため、心を明るくしてくれるような体験をみんな探している。珍しい体験をすることは、この時期に感じる不安な気持ちを静めてくれる。
プラネタリウムに行こうと考えた事はないだろうか？ 都内には、屋内で星空を眺められる場所が少なくとも２０カ所はある。しかしもっとも都心にあるのが。有楽町マリオン９階のコニカミノルタプラネタリアTOKYOだ。日比谷駅に直結したビルにあり、銀座にも近いというアクセスの良さにもかかわらず、ロビーに入ると紛れもなく穏やかでくつろいだ気分になれる。
施設は３つのエリアに分かれている。ドーム１とドーム２、そしてバーチャルリアリティ空間のプラネタリウムだ。どのエリアも上映時間は、１０時３０分から２２時まで、休日の上映時間は変更されるかもしれないので出かける前にウェブで確認するといい。入場料は、大人のシングルシートが１６００円からで、映画のチケットと同じくらいだ。好みと予算に合わせてさまざまなシートが用意されている。特にドーム２では、ビロード素材の贅沢で巨大な『ギャラクシー』シート（シングルとペアがある）だ。上映時間は１時間で、ライブミュージックやナレーション付きのイベントがあり内容は盛りだくさんだ。施設を出るとカフェがあり、『ミルキーウエイコットンキャンディー』のような斬新なスナックや惑星の名がついたカクテルが味わえる。さらに宇宙を意識した魅力的な商品が並んだギフトショップもある。
都心の真っ只中で星を眺めてみてはいかがだろうか。空を見上げていこう！
MUSEUM -What's Going on?-
TOKYO NOTICE BOARD APRIL 10. 2026
Eric Carle: Art, Books, and the Caterpillar
Bold, colourful, and instantly recognisable, the work of Eric Carle has long captivated generations of readers. His signature style―hand-painted collage illustrations with vibrant, layered textures―transformed the world of children’s literature, turning simple stories into visually immersive experiences.
This exhibition celebrates Carle’s enduring influence, bringing together around 180 works that span his career. Original illustrations, early sketches, and the materials behind his iconic designs reveal the painstaking craft behind the seemingly effortless pages of his books. Visitors can see how Carle’s use of cut-outs, bold shapes, and vivid colours turned reading into a tactile, playful experience, where children and adults alike are invited to engage with both the story and the art itself.
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Carle’s approach goes beyond nostalgia. It demonstrates a deep understanding of storytelling and visual communication, blending narrative and artistic expression to spark curiosity, imagination, and joy. While familiar characters like The Very Hungry Caterpillar draw visitors in, there’s equal fascination in the design techniques that make his books timeless.
The exhibition captures the universal appeal of Carle’s work: it’s playful yet sophisticated, educational yet deeply entertaining. For anyone interested in the intersection of art and literature, it offers a rare glimpse into the process of one of the most influential children’s authors of the 20th century, reminding us that even simple ideas, when handled with creativity and care, can inspire generations.
Period: Saturday, April 25 − Sunday, July 26, 2026
Venue: Museum of Contemporary Art Tokyo
Closed: Mondays,May 7 (Thu.), July 21 (Tue.) * Opens on May 4 (Mon.), July 20 (Mon.)
Hours: 10:00-18:00 (admission 30 minutes before? closing)
Admission: Adults − 2,300yen / University & College Students − 1,600yen / High School & Junior High School Students − 1,000yen / Elementary School Students & Younger − free
For more information, please visit
https://www.mot-art-museum.jp/
100th Anniversary of Satoshi Kako: Science Picture Books
Celebrating a century since his birth, the work of Satoshi Kako offers a unique intersection of education, imagination, and storytelling. Over his prolific career, Kako created more than 600 books, many of which transformed the way children learn about science and the world around them.
Rather than presenting knowledge as abstract or intimidating, Kako’s books translate complex concepts―rivers, construction, ecosystems, and machines―into playful, accessible narratives. His illustrations are carefully crafted to guide understanding, using detailed drawings, clear sequences, and interactive layouts that invite readers to explore and think critically. This exhibition brings those processes to life, showing original illustrations, concept sketches, and materials that highlight Kako’s innovative methods.
What sets Kako apart is his ability to balance education with creativity. Each page is designed to spark curiosity, encouraging children to observe, question, and discover. By blending storytelling with scientific accuracy, he made learning immersive and joyful, proving that education can be both rigorous and fun.
*
The exhibition allows visitors to appreciate both the charm of his stories and the sophistication of his craft. Families and children are drawn to the bright visuals and engaging narratives, while older visitors and educators can explore the meticulous design and educational thinking behind the work.
Ultimately, this showcase is a celebration of Kako’s philosophy: that knowledge is most meaningful when it is approachable, imaginative, and capable of inspiring wonder in readers of all ages.
Period: − June 14, 2026
Venue: National Museum of Nature and Science, Tokyo
Closed: Mondays, and May 7 *Open on March 30, April 27, May 4, and June 8
Hours: 9:00 - 17:00 / - 18:00 on from April 25 to May 6 (admission 30 minutes before? closing)
Admission: Adults & University Students: 630 yen / Free for High School Students and younger
For more information, please visit
Strange but True
TOKYO NOTICE BOARD APRIL 24. 2026
My Coffee Mood?
In a Tokyo office complex, a newly installed AI-powered cafe´ robot has begun doing more than just serving coffee―it appears to be “judging” customers before recommending drinks. Using facial recognition and behavioural analysis, the system suggests beverages based on perceived mood, energy levels, and even stress indicators. Office workers quickly noticed the machine recommending stronger coffee after late nights or switching to calming drinks during visibly tense mornings. While designed as a wellness-focused feature, it has sparked amused reactions among employees who feel like they are being quietly evaluated before every caffeine fix. Some joke that the robot knows their workload better than their managers. Despite the light-hearted concern, developers insist the system is simply optimising customer experience. Still, the idea of a coffee machine acting like a mood reader has turned everyday coffee breaks into oddly introspective moments in the workplace.
Who's Faster?
A delivery robot attempting to complete a routine route made headlines after a bizarre encounter with a train. The autonomous machine became stuck on railway tracks while navigating an urban delivery path and was struck by an oncoming train. Fortunately, no human injuries were reported, but the incident highlighted the challenges of integrating robots into real-world environments. The robot, designed for last-mile food delivery, apparently misjudged the crossing or failed to detect the approaching danger in time. The event quickly sparked online reactions, with users joking about “robots needing better map awareness” and questioning the reliability of autonomous delivery systems. Engineers involved are now reviewing safety protocols and navigation algorithms to prevent similar incidents. While robotic delivery services continue to expand in cities worldwide, this unusual mishap serves as a reminder that real-world logistics can still outsmart automation in unexpected ways.
Links
Guesthouse Tokyo
10 minutes to Ikebukuro.
Interhouse
safe and accessible solution for your accommodation needs in Tokyo.
Sakura House
1830 monthly furnished rooms at 204 locations in Tokyo.
TOKYO ROOM FINDER
Contact our international team that will assist you in finding housing
and overcoming any communication barriers in Japan!
J&F Plaza
Furnished & unfurnished guesthouses and apartments in Tokyo.
May Flower House
Tokyo furnished apartments. Ginza, Roppongi, Yotsuya and more.
TenTen Guesthouse
33,000yen/30 days for working holiday students.
GOOD ROOM TOKYO
Share room, Private room, under 50,000yen
MOVE JAPAN
Private furnished rooms in Tokyo with free internet. Call us first or call us last!
Tokyomove.com
Hassle free moving starts from 6000yen.
Tokyo Helping Hands
Very flexible working hours to effectly help you with moving, deliveries, disposal, storage and more!
AirNet Travel
We'll cut you the best air ticket deals anywhere.
Fun Travel
Discount air travel & package tours 2min from Roppongi Stn.
No.1 Travel
We go the extra mile for you. International air tickets and hotels.
JR Tokai Tours
Top-value travel to Kyoto, Osaka, Nagoya from Tokyo by Shinkansen.
Matsuda Legal Office
All kinds of Visa, Immigration & Naturalization, International Marriage etc.
Futaba Visa Office
Licensed immigration lawyer & certified public tax consultant.
American Pharmacy
English speaking pharmacy since 1950.
Tokyo Skin Clinic
EU-licensed multi lingual doctors.
Tax-free AKKY
Japanese Appliance, Watch, Souvenirs
Tokyo Speed Dating
1st Sat. & 3rd Sun. at Bari n Roppongi ETC.
Tokyo Spontaneous
Picnic, Parties, Language exchange
TMA
Japanese women & Western men.
Tokyo Fab
TOKYO NOTICE BOARD APRIL 24, 2026Tahiti Festa
Tahiti Festa is one of Japan’s largest celebrations of Polynesian culture, bringing the vibrant spirit of Tahiti into an energetic urban festival setting. Since its launch in 2008, it has introduced audiences to the music, dance, crafts, and lifestyle of French Polynesia, becoming a colourful annual highlight for anyone interested in Pacific island culture.
At the centre of the festival is Ori Tahiti, the traditional dance of Tahiti. Performances feature both professional groups from French Polynesia and dance teams based in Japan, creating a dynamic exchange of authenticity and local passion. Accompanied by rhythmic drumming and expressive movement, the stage performances showcase storytelling through dance, full of energy, precision, and cultural pride.
Beyond the stage, the festival transforms into a lively marketplace inspired by island life. Stalls offer handmade crafts such as woven bags, wood carvings, and black pearl jewellery, alongside natural beauty products like monoi oil. These items reflect the craftsmanship and traditions of Polynesian culture.
Food and drink add to the atmosphere, with tropical flavours, refreshing beverages, and Pacific-inspired dishes creating a relaxed, holiday-like mood. Live music and casual performances often fill the space, encouraging visitors to linger and enjoy the experience at their own pace.
May 4th -6th @ Yokohama Intl Passenger Terminal
https://tahiti.co.jp/event/tahiti-festa/
WINGS FOR LIFE WORLD RUN
The Wings for Life World Run − Tokyo (Shinjuku-ku) is a global charity running event with a unique format that sets it apart from traditional races. Instead of running toward a fixed finish line, participants run to stay ahead of a moving “finish” called the Catcher Car, which gradually increases speed until it passes each runner, marking the end of their race.
Held in Tokyo’s Shinjuku area, the event welcomes runners of all levels, including beginners, experienced athletes, and wheelchair participants. Everyone starts at the same moment, joining thousands of people across the world in a shared global start, making it a truly connected international experience.
The Tokyo route typically features urban scenery and green surroundings around Shinjuku, offering a mix of city energy and open running spaces. The focus is not on competition alone, but on endurance, participation, and personal challenge―how far each person can go before being caught.
What makes the event especially meaningful is its purpose. 100% of entry fees and donations go to spinal cord research, funding projects aimed at finding a cure for spinal cord injury. This gives every step a direct connection to real-world impact.
Inclusive and accessible, the Wings for Life World Run encourages people to participate in their own way―running, jogging, or walking―turning the experience into a collective act of support, movement, and global solidarity.
May 10th (Sun) @ Meiji Memorial Picture Gallery
https://www.wingsforlifeworldrun.com/en/locations/tokyo-shinjuku-ku
Have You Been To...
TOKYO NOTICE BOARD APRIL 24, 2026Hitachi Seaside Park [Hitachinaka, Ibaraki]
It is a vast coastal flower park in Ibaraki Prefecture, famous for its seasonal landscapes that transform dramatically throughout the year. In spring, rolling hills are covered in bright blue nemophila flowers, creating a surreal sky-like field. The park also features tulips, kochia, and seasonal blooms, along with cycling paths, walking trails, and seaside views, making it a popular destination for nature lovers and photographers.
Ashikaga Flower Park [Ashikaga, Tochigi]
Ashikaga Flower Park in Tochigi Prefecture is best known for its breathtaking wisteria gardens, especially the ancient “Great Miracle Wisteria” that forms a glowing purple canopy in spring. Seasonal displays also include roses, hydrangeas, and winter illuminations. The park offers immersive floral landscapes, walkways, and tunnels of cascading blossoms, making it one of Japan’s most photogenic and romantic garden destinations year-round.
Tsutsujigaoka Park [Sendai, Miyagi]
Tsutsujigaoka Park in Sendai is a scenic urban park best known for its vibrant azalea displays in spring, when thousands of flowers bloom in vivid pinks, reds, and whites. Set around tranquil ponds and walking paths, it offers a peaceful retreat within the city. The park also hosts seasonal festivals and provides a relaxing space for strolling, picnicking, and enjoying nature year-round.
Awaji Hanasajiki [Awaji, Hyogo]
Awaji Hanasajiki in Hyogo Prefecture is a scenic flower park perched on a hill overlooking Osaka Bay. Its name means “flower staging area,” and it lives up to it with vast seasonal blooms of cosmos, rape blossoms, and salvia spreading across rolling fields. The panoramic views combine sea, sky, and flowers, making it a popular spot for photography and peaceful countryside walks year-round.
Tokyo Voice Column
TOKYO NOTICE BOARD TNB Throwback: APRIL 14. 2017Step Into Spring At Planetaria Tokyo by Lorne Fetzek
As winter gives way to spring, most residents of Japan start thinking about warm days ahead, and especially in light of recent world events, we’re all looking for activities that lighten our spirts. Mixing unique experiences into our calendars can help quell the restlessness that we often feel this time of year.
Have you considered visiting a planetarium? Greater Tokyo boasts at least 20 locations where you can stargaze while indoors, but none is more centrally located than the Konica Minolta Planetaria Tokyo https://planetarium.konicaminolta.jp/planetariatokyo/ which is located on the 9th floor of the Yurakucho Mullion Building. Despite its convenient location directly above Hibiya Station and only a few steps away from Ginza, upon arrival there is an unmistakable feeling of calm and relaxation that one feels upon entering the lobby.
The planetarium is divided into 3 areas, 2 “domes” and one virtual reality planetarium. Shows run in all three areas from 10:30 through 22:00 daily (hours on holidays may differ so be sure to check the planetarium website for details). Ticket prices begin at ￥1,600 for a single seat adult ticket (about the same as a regular movie ticket). There are packages on offer as well to suit various tastes (and budgets). Dome 2 in particular has oversized, plush “Galaxy” seats (both single and pair seats). Each show is typically 1 hour and there are a wide variety of shows including live music and narrated events. Outside of the theaters, there’s a cafe´ selling quirky food items such as “Milky Way Cotton Candy” and cocktails named for planets and a gift shop with an intriguing selection of space themed items.
So why not treat yourself to some stargazing in the heart of central Tokyo? Keep looking up!!
冬から春へと季節が変わる時期、人は、暖かい日々を待ちわびるようになる。最近の世界を騒がす事情のため、心を明るくしてくれるような体験をみんな探している。珍しい体験をすることは、この時期に感じる不安な気持ちを静めてくれる。
プラネタリウムに行こうと考えた事はないだろうか？ 都内には、屋内で星空を眺められる場所が少なくとも２０カ所はある。しかしもっとも都心にあるのが。有楽町マリオン９階のコニカミノルタプラネタリアTOKYOだ。日比谷駅に直結したビルにあり、銀座にも近いというアクセスの良さにもかかわらず、ロビーに入ると紛れもなく穏やかでくつろいだ気分になれる。
施設は３つのエリアに分かれている。ドーム１とドーム２、そしてバーチャルリアリティ空間のプラネタリウムだ。どのエリアも上映時間は、１０時３０分から２２時まで、休日の上映時間は変更されるかもしれないので出かける前にウェブで確認するといい。入場料は、大人のシングルシートが１６００円からで、映画のチケットと同じくらいだ。好みと予算に合わせてさまざまなシートが用意されている。特にドーム２では、ビロード素材の贅沢で巨大な『ギャラクシー』シート（シングルとペアがある）だ。上映時間は１時間で、ライブミュージックやナレーション付きのイベントがあり内容は盛りだくさんだ。施設を出るとカフェがあり、『ミルキーウエイコットンキャンディー』のような斬新なスナックや惑星の名がついたカクテルが味わえる。さらに宇宙を意識した魅力的な商品が並んだギフトショップもある。
都心の真っ只中で星を眺めてみてはいかがだろうか。空を見上げていこう！
MUSEUM -What's Going on?-
TOKYO NOTICE BOARD APRIL 10. 2026Eric Carle: Art, Books, and the Caterpillar Bold, colourful, and instantly recognisable, the work of Eric Carle has long captivated generations of readers. His signature style―hand-painted collage illustrations with vibrant, layered textures―transformed the world of children’s literature, turning simple stories into visually immersive experiences. |
* |
Carle’s approach goes beyond nostalgia. It demonstrates a deep understanding of storytelling and visual communication, blending narrative and artistic expression to spark curiosity, imagination, and joy. While familiar characters like The Very Hungry Caterpillar draw visitors in, there’s equal fascination in the design techniques that make his books timeless. |
Period: Saturday, April 25 − Sunday, July 26, 2026
Venue: Museum of Contemporary Art Tokyo
Closed: Mondays,May 7 (Thu.), July 21 (Tue.) * Opens on May 4 (Mon.), July 20 (Mon.)
Hours: 10:00-18:00 (admission 30 minutes before? closing)
Admission: Adults − 2,300yen / University & College Students − 1,600yen / High School & Junior High School Students − 1,000yen / Elementary School Students & Younger − free
For more information, please visit
https://www.mot-art-museum.jp/
100th Anniversary of Satoshi Kako: Science Picture Books Celebrating a century since his birth, the work of Satoshi Kako offers a unique intersection of education, imagination, and storytelling. Over his prolific career, Kako created more than 600 books, many of which transformed the way children learn about science and the world around them. |
* |
The exhibition allows visitors to appreciate both the charm of his stories and the sophistication of his craft. Families and children are drawn to the bright visuals and engaging narratives, while older visitors and educators can explore the meticulous design and educational thinking behind the work. |
Period: − June 14, 2026
Venue: National Museum of Nature and Science, Tokyo
Closed: Mondays, and May 7 *Open on March 30, April 27, May 4, and June 8
Hours: 9:00 - 17:00 / - 18:00 on from April 25 to May 6 (admission 30 minutes before? closing)
Admission: Adults & University Students: 630 yen / Free for High School Students and younger
For more information, please visit
Strange but True
TOKYO NOTICE BOARD APRIL 24. 2026My Coffee Mood?
In a Tokyo office complex, a newly installed AI-powered cafe´ robot has begun doing more than just serving coffee―it appears to be “judging” customers before recommending drinks. Using facial recognition and behavioural analysis, the system suggests beverages based on perceived mood, energy levels, and even stress indicators. Office workers quickly noticed the machine recommending stronger coffee after late nights or switching to calming drinks during visibly tense mornings. While designed as a wellness-focused feature, it has sparked amused reactions among employees who feel like they are being quietly evaluated before every caffeine fix. Some joke that the robot knows their workload better than their managers. Despite the light-hearted concern, developers insist the system is simply optimising customer experience. Still, the idea of a coffee machine acting like a mood reader has turned everyday coffee breaks into oddly introspective moments in the workplace.
Who's Faster?
A delivery robot attempting to complete a routine route made headlines after a bizarre encounter with a train. The autonomous machine became stuck on railway tracks while navigating an urban delivery path and was struck by an oncoming train. Fortunately, no human injuries were reported, but the incident highlighted the challenges of integrating robots into real-world environments. The robot, designed for last-mile food delivery, apparently misjudged the crossing or failed to detect the approaching danger in time. The event quickly sparked online reactions, with users joking about “robots needing better map awareness” and questioning the reliability of autonomous delivery systems. Engineers involved are now reviewing safety protocols and navigation algorithms to prevent similar incidents. While robotic delivery services continue to expand in cities worldwide, this unusual mishap serves as a reminder that real-world logistics can still outsmart automation in unexpected ways.
Links
Guesthouse Tokyo10 minutes to Ikebukuro. Interhousesafe and accessible solution for your accommodation needs in Tokyo. Sakura House1830 monthly furnished rooms at 204 locations in Tokyo. TOKYO ROOM FINDERContact our international team that will assist you in finding housing and overcoming any communication barriers in Japan! |
J&F PlazaFurnished & unfurnished guesthouses and apartments in Tokyo. May Flower HouseTokyo furnished apartments. Ginza, Roppongi, Yotsuya and more. TenTen Guesthouse33,000yen/30 days for working holiday students. GOOD ROOM TOKYOShare room, Private room, under 50,000yen |
MOVE JAPANPrivate furnished rooms in Tokyo with free internet. Call us first or call us last! Tokyomove.comHassle free moving starts from 6000yen. |
Tokyo Helping HandsVery flexible working hours to effectly help you with moving, deliveries, disposal, storage and more! |
AirNet TravelWe'll cut you the best air ticket deals anywhere. Fun TravelDiscount air travel & package tours 2min from Roppongi Stn. |
No.1 TravelWe go the extra mile for you. International air tickets and hotels. JR Tokai ToursTop-value travel to Kyoto, Osaka, Nagoya from Tokyo by Shinkansen. |
Matsuda Legal OfficeAll kinds of Visa, Immigration & Naturalization, International Marriage etc. |
Futaba Visa OfficeLicensed immigration lawyer & certified public tax consultant. |
|
American PharmacyEnglish speaking pharmacy since 1950. |
Tokyo Skin ClinicEU-licensed multi lingual doctors. |
|
Tax-free AKKYJapanese Appliance, Watch, Souvenirs |
Tokyo Speed Dating1st Sat. & 3rd Sun. at Bari n Roppongi ETC. Tokyo SpontaneousPicnic, Parties, Language exchange |
|
TMAJapanese women & Western men. |
|
50 Shades of Yikess
